Thanks, JT. On another day, I might have taken it as a negative post—I’m way too sensitive a person, sometimes—but I really appreciate your words. The new site I’m working on, clarkwoods, is going to be focused on a particular subset of creative professionals that I don’t think have been covered all that much. As an MFA graduate, I know all too well the pressures of trying to balance the work a person does to put food on the table, the creative Work a person does to nourish their soul, and the family/personal life a person leads to keep themselves sane. That’s what the new site is about. I’ve lined up interviews with poets, writers, and artists, and I’ve put the word out amongst my network to try and get some contributions. I think one of the other things that can help a site become successful—can, but not necessarily will—is having a group of authors, writing on a single niche, but bringing in several diverse perspectives.
I’m not sure that that site will make a huge splash, but I am willing to bet that it’ll start a conversation—a conversation that’s much needed, according to a recent article and follow-up letters in POETS & WRITERS—and that’ll be good enough for me.
As for thatlittlebastad, I’ve decided to shut it down and move it to a subsection of the new site—clarkwoods.com/chris, probably—where I think that, with the new categorization system I set up a few days ago, it may start to build traffic.
All that said, I still wonder how sites like Heather Armstrong’s dooce.com rise to prominence. I realize she had the combined luck/misfortune of being one of the first to lose her job over her blog, and that that played a part in why she’s gotten so popular. But she writes almost exclusively about her family, and people keep coming back, at least enough people that the ads on her site enable her to support her family. I’m not looking to generate that kind of money, just enough to help pay some bills at the end of those really tough months.